The Classics Club

And the Title Is….

 

Cover: Mary Barton by Elizabeth Gaskell

With #4 spun, it looks like I’ll be reading Mary Barton over the next few weeks (hopefully!). It’s been a while since I’ve read Gaskell, but I do really like her, so I’m excited for this one. And it will be nice to get back to some Victorian literature; it’s been quite a while.

Looking forward to a short work week, too—hopefully some extra reading time to get this started.

Happy reading!

The Classics Club

Another Classics Spin

Question Mark - cover place holder

If at first you don’t succeed….

This is apparently the 16th Classics Club spin. I don’t know how many I’ve attempted, and it’s been even fewer I’ve completed successfully (maybe one?), but it seems always worth the try.

Actually, I’d been thinking just the other day that’s it’s been a while since I’ve really read any books to sink my teeth into, or even any 19th or early 20th century fiction. (Of course, then I remembered that I read Twenty-thousand Leagues Under the Sea this summer, which I keep managing to forget.) So as it happens, this spin is quite timely. Because I’m craving some 19th or early 20th century reading, my spin list is largely from the middle of my Classics Club list, and I’ve left it in chronological order. I’m rather rooting for #1, Lady Susan, as I pulled that out for a reread a few weeks ago, though I haven’t gotten to it yet. But really, anything here would be good, especially as the bulk of the books are currently on my shelves just waiting to be read!

And you, are you spinning?

  1. Austen, Jane: Lady Susan (England, c. 1794)*
  2. Austen, Jane: Emma (England, 1816)*
  3. Brontë, Anne: Agnes Grey (England, 1847)
  4. Gaskell, Elizabeth: Mary Barton (England, 1848)
  5. Gaskell, Elizabeth: Cranford (England, 1853)
  6. Trollope, Anthony: The Warden (England, 1855)
  7. Collins, Wilkie: The Woman in White (England, 1860)
  8. Hardy, Thomas: Far From the Madding Crowd (England, 1874)
  9. James, Henry: The Turn of the Screw and Other Short Fiction (U.S., 1878-1908)‡
  10. Tolstoy, Leo: The Death of Ivan Ilyich and Other Stories (Russia, 1886-1912)
  11. Wilde, Oscar: The Picture of Dorian Gray (Ireland, 1891)*
  12. Wells, H.G.: The Time Machine (England, 1895)
  13. Wharton, Edith: The House of Mirth (U.S., 1905)
  14. Cather, Willa: Death Comes for the Archbishop (U.S., 1927)
  15. Faulkner, William: The Sound and the Fury (U.S., 1929)
  16. Gibbons, Stella: Cold Comfort Farm (England, 1932)
  17. Huxley, Aldous: Brave New World (England, 1932)
  18. Bromfield, Louis: The Farm (U.S.-Ohio, 1933)
  19. Wright, Richard: Native Son (U.S., 1940)
  20. Ellison, Ralph: Invisible Man (U.S., 1952)
The Classics Club

Completed: The Taming of the Shrew

Cover: The Taming of the ShrewThe Taming of the Shrew
William Shakespeare
(England, c. 1590-91)

This was a reread, I believe. (Going by memory.) At the very least, I have seen it performed live, locally (out-of-doors, actually, with a mock-Tudor (c. 1920s) gatehouse for a backdrop–a great setting!). Like so many of Shakespeare’s comedies–or perhaps like any play–, the actual humor is better seen performed than read. But that did not mean it was not an enjoyable read, though I fear I do not fully understand it.

I believe it is fairly well known: a young man, Petruchio, desiring to increase his wealth, agrees to marry a shrewish woman, Katerina, so that her father will permit her sister, Bianca, to be wooed and wed. (A friend of Petruchio’s is one of Bianca’s several suitors.) He then proceeds to “tame” Katerina, by methods that, if taken at face value and/or by 21st century standards seem downright abusive. But if they are rather seen as part of the farce of a play–no, not merely a play, but a play within a play–perhaps I begin to now see the value of the Induction?–then perhaps the story is something different, a comedic look at relationships between men and women and how they play each other rather than purporting any moral or life lesson.

Interestingly, reading around, including the introduction to my copy, it seems to be a play that is tricky to interpret: while it is easy to assume, especially based on Katerina’s last speech, that Shakespeare was indeed a product of his time and to be reminded that in that era women were property, it seems that the director’s interpretation is what really guides our understanding. Perhaps Katerina has truly been “tamed”–or perhaps she has simply learned a better way of controlling her husband and winks at the audience. It does seem, though, based solely on the words on page, that she really is a vile character, for she treats her sister dreadfully. Though, one has to wonder: is this jealousy of Bianca or a desire to avoid marriage and its risks and constraints at all costs?

After reading this, I also watched the 1967 film version starring Elizabeth Taylor. Which, while amusing, I must confess my favorite adaptation remains 1999’s 10 Things I Hate About You, which is both a clever high-school-set modernization and a perhaps tamer version of all characters involved. I’ve still to watch Kiss Me Kate, though, and I do have a weakness for musicals, so…

I read The Taming of the Shrew as part of my original Classics Club list.

Classic Children's Literature · RAL · Reading · The Classics Club

Coming Soon: Classic Children’s Lit Event, 5

2017-ral-original

I’ve been more absent from here lately than I’d like–it seems like February is just a month that I don’t get along with. But now it’s March, the sun is shinning (and it’s supposed to be half-way warm this week!), and that means the 5th edition of the Classic Children’s Literature Event is just around the corner: April–less than a month away! I can’t believe this is the 5th year.

alice-original

As in years past, I will be reading an optional readalong title. I really waffled over what to pick this year, but finally opted for one of the runners up from last year’s poll: Alice’s Adventures in Wonderland. It’s been many, many years since I last/first read this–I believe in fourth grade, so I don’t remember it all that well other than that’s is odd, something that must surely appeal to many, as evidenced by the recent movie adaptations (confession: I haven’t actually seen them). Although I have an illustrated version that also contains Through the Looking-Glass and What Alice Found There, I decided to pick up The Annotated Alice from the library. Still a coin toss as to which book I’ll read from.

Event Basics

  • During the month of April, read as many Children’s Classics as you wish and post about them on your blog and/or leave a comment on the event page on this blog. I will have a link page starting the first of April to gather posts so that we may share as we go.
  • The optional RAL title: Alice’s Adventures in Wonderland by Lewis Carroll. (Optional: also read Through the Looking-Glass. I’m guessing I won’t get through both.) I plan on discussion the weekend of April 21-23.
  • I’m not going to be the “children’s classics” police. Use your own judgement for what fits the category but if you want some guidelines, these are what I’m going by:
    • I think many of us have read more recent children’s books that we may already deem “classics” (for example, many people feel that way about the Harry Potter books), but for this event, I’d prefer if we read books that were written prior to 1967. This will still allow a lot of options, and will hopefully avoid the “but what is a classic” dilemma! (And yes, 1967 is rather arbitrary. Rebel if you wish, but 50 years old seems a good age.)
    • Defining “children’s,” especially prior to 1900 or so can be a challenge as some books we think of as “children’s” today may not have been intended that way at the time. Personally, I’d say books appropriate for approximately an elementary-school aged child or preteen (to read or to have read to them) should be fine. I’d personally also count the various fairy tales, even though some of the earliest versions were not exactly family friendly.
    • Feel free to include books from any country, in translation or not. I have limited exposure to non-American children’s lit, so I’d love to learn about books from other countries myself.
    • Feel free to double up with other events or challenges if you wish.
  • And if you need ideas I posted
  • There is no deadline for joining or participating (other than, of course, the end of April).

Most important: Have fun!

Please let me–and other participants–know in the comments of this post if you are interested in participating, and let me know if you have any questions. Also, please feel free to use any of the event/RAL images on your own blogs.

Classic Children's Literature Event April 2017 300px

Classic Children's Literature Event April 2017 250px

Classic Children's Literature Event April 2017 200px

Alice's Adventures in Wonderland RAL April 2017 300px

Alice's Adventures in Wonderland RAL April 2017 250px

Happy reading!

Participants:

Image sources: The event logo illustration is “Merry Christmas” from The Way to Wonderland (1917, Mary Stewart), illustrated  by Jessie Wilcox Smith (1863-1935). The RAL logo illustration is from Alice’s Adventures in Wonderland (1865, Lewis Carroll), 1907 edition illustrated by Arthur Rackham (1867-1939).

The Classics Club

Classics Spin 15

Question Mark - cover place holderHuh. It’s been a long time since I participated in a Classics Club Spin – apparently they’re on #15, and I last “spun” for number 9! So it’s about time. Especially since I have a new list from which I’ve only read one book so far. Of course, I have an abysmal record at finishing either book and/or post by the deadline, and I don’t exactly have an abundance of reading time at the moment, but ever-optimistic, I’ll try again. Per the suggestions, I selected a mix of books I’m really looking forward to/neutral about/on the slightly dreading side of neutral (I’m only truly dreading the really long books, but if I’m to be at all practical, I’d better steer clear of those at present). I’ve rounded out the list with the 5 Shakepeare titles currently on my CC list.

Without further ado:

  1. Jane Austen – Lady Susan
  2. Louis Bromfield – The Farm
  3. Homer – The Iliad
  4. William Shakespeare – The Merchant of Venice
  5. William Faulkner – The Sound and the Fury
  6. Anthony Trollope – The Warden
  7. Jonathon Swift – Gulliver’s Travels
  8. William Shakespeare – Hamlet
  9. Elizabeth Gaskell – Cranford
  10. Charles Dickens – A Tale of Two Cities
  11. William Faulkner – The Reivers
  12. William Shakespeare – Othello
  13. Stella Gibbons – Cold Comfort Farm
  14. F. Scott Fitzgerald – The Great Gatsby
  15. William Dean Howells – The Rise of Silas Lapham
  16. William Shakespeare – King Lear
  17. Aldous Huxley – Brave New World
  18. Ann Radcliffe – The Italian
  19. Joseph Conrad – The Heart of Darkness
  20. William Shakespeare – The Tempest

Good luck to those also participating and Happy Reading!

The Classics Club · WeeksEnd Notes

Week’s End Notes (31) & Classics Club v2

I just realized that I haven’t taken a single photo this year, excepting some really exciting work pics (of markups on drawings – see exciting). Not helpful in learning to use my camera better this year. I will have to add that to my February priorities. I made a list at the start of the month of my January priorities, and so far it’s been really helpful in keeping me focused. I also just this week finished listening to Laura Vanderkam’s 168 Hours: You Have More Time Than You Think, and that’s really the point of the book: you have to prioritize and focus your time. I wouldn’t call it life-changing for me–I already knew that was my problem–but her suggestion that we need to plan even our leisure time in advance if we’re to maximize it really hits home, because that’s exactly what I’ve been doing lately. (And no, she doesn’t mean planning out every minute, just knowing what activities you want to do so that instead of frittering away hours online or in front of the TV or what have you, you actually read that book you’ve been meaning to get to.) I’ve categorized every weekend so far this month: one for DVR catch-up/knitting, one for reading, one for misc. to do’s (this weekend!), and it’s left me feeling a lot more productive. Even if I feel like I haven’t actually managed to read all that much this month so far.

Part of that is the season: winter is for knitting and I don’t knit and read at the same time. I do knit and TV watch at the same time. I suppose I could knit and audiobook… Part of it is the general sleepiness winter seems to bring. Part of it is the Deal Me In Challenge. So I’m reading, but short things, and it doesn’t feel as much of an accomplishment. But I’ve been keeping up so far!

  • Week 1: Q of Clubs – Fray Luis de León, “Oda III”
  • Week 2: 8 of Clubs – Francisco de la Torre, “Soneto V,” “Soneto XX,” and “Soneto XXIII”
  • Week 3: A of Diamonds – Ben Jonson, “To the Memory of My Beloved Master, William Shakespeare”

The first two weeks were challenging as both were from Clubs, which are all Spanish poems. I have a copy of Renaissance and Baroque Poetry of Spain (ed. Elias L. Rivers) which I’m reading from and it does have prose translations, but those are…okay. So I’ve been challenging myself to really read the Spanish closely, which takes a good chunk of time. “Oda III” was the easiest, a poem in praise of Francisco Salinas, a music professor at the University of Salamanca. The Sonnets by de la Torre were more challenging, especially as their language included words (or spellings?) that the online translation dictionary couldn’t always find, I assume obsolete or archaic. I also have never done as well with Sonnets as with other poem types. “To the Memory of My Beloved Master, William Shakespeare” I read with much greater pleasure. Both as it was far less work and as I was familiar with the subject. I was amused to find that Jonson predicted that Shakespeare would continue to be performed/read for centuries to come – how prescient! It also seems that Jonson’s words could be used in the who wrote Shakespeare battle as pro-William Shakespeare, as Jonson both praised Shakespeare’s words (over contemporaries) and clearly refers to him as the “Swan of Avon,” though also, famously, reminding us that Shakespeare “small Latin and less Greek.” I have yet to read this week’s selection (a short story – finally!).

I’m also in the middle of two longer reads, a reread of Blue Lily, Lily Blue (Maggie Stiefvater) and The Epic of Gilgamesh. Which brings me to the next topic. I’m fast coming up on the deadline for my original Classics Club list, in March. Five years! Already! And…well, it hasn’t gone so well. Of the 125 items on the list, I’ve only completed 14 (nearly 15). I’ve read 26 individual books/plays, but a number were combined into one list item. (Or 28 books if one counts the volumes of The Lord of the Rings separately.) At the same time, I’ve been itching to update/revise the list. I’ve read some books for my Ohio project that could have counted on a Classics Club list, but I hadn’t included them. And there are others I still want to read. I also have a Great Courses series, “The Western Literary Canon in Context,” which has added other (admittedly white male) titles to my TBR list. Then I also seem to keep dipping back to rereads that weren’t on my original list. Not to mention quite a few other books lining my shelves that never made it to/were purchased after the original list was made.

So, in the spirit of the New Year (it’s still early enough to say that, right?), and in the excitement that list making always brings me, I announce The Classics Club v.2, my ten year reading list. It’s long, at 150 items, so I’ll spare you scrolling through. But if you really want to read it, it’s HERE. I had some trouble cutting down (ha!), and it’s longer than the original list. Even assuming that the revisions/additions help me stay more focused, I’m still never–based on current reading rate–going to get through this list in only five years. So I’m blithely disregarding the 5-year guideline.

Some notes regarding the list:

  • Most unread titles from the original list are still here. I swapped out some of the Greek plays (largely based on the Great Courses series reading list) and dropped a couple other titles that aren’t actually on my shelves, but I tried to keep the variety of genre/country I had on the original.
  • I’ve added a number of rereads. Mostly Austen. I can’t help it.
  • The only book that I read on the original list that makes a reappearance is Beowulf, which I want to reread in another translation.
  • I’ve added some Ohio reads.
  • Most of the additions are ancient/medieval lit. I’m a little scared of some of those actually…
  • I also added three Faulkner which I’m really looking forward to. I only had one title on my original list because I wasn’t sure if I’d like him. It was a mistake.

I’d ask you what to read first, but current read The Epic of Gilgamesh is item #1. When I’m not mired down in Spanish poets…

Happy Reading!

 

 

Reading · The Classics Club

Completed: Pride and Prejudice

Cover: Pride and Prejudice (Dover Thrift Edition)Pride and Prejudice
Jane Austen
England, 1813

My most recent reread of Pride and Prejudice (I believe this was my third time through Austen’s most famous novel) was over my September vacation, and I confess I wasn’t really reading it for anything other than pure enjoyment of the story. And it was a pure joy. I had forgotten quite how much I enjoy Austen’s writing and her tales; although I reread Northanger Abbey about a year previous, it was one of Austen’s earlier works and its charms are different than those of Pride and Prejudice.

(And from here, I assume you’ve read this or otherwise know the plot and don’t care about “spoilers.”)

But as I thought about it afterwards, I recognized that while on the surface–and this is perhaps the Austen we most commonly see in pop culture–Pride and Prejudice seems in many ways a fairy tale: poor(ish) girl + rich boy = happily ever after (in the case of P&P x 2), this is only the surface, and only the central characters. Elizabeth and Jane Bennett’s marriages to the wealthy Mr. Darcy and Mr. Bingley, respectively, may have all the elements of happily-ever-after, but even if we don’t question that supposition, there are two other weddings that happen in the course of the novel. To imagine that Lydia and Mr. Wickham will ever end happily…well. I can think of any number of outcomes, one of which Austen actually illustrates in Mr. and Mrs. Price in Mansfield Park – and that’s the best alternative. Let’s just say I imagine that Lydia will hardly be Mr. Wickham’s last conquest.

Without thinking highly either of men or of matrimony, marriage had always been her object; it was the only honourable provision for well-educated young women of small fortune, and however uncertain of giving happiness, must be their pleasantest preservative from want. (Ch. XXII)

And then there’s Charlotte Lucas and the ridiculous Mr. Collins – a marriage of pure practicality. And her reasonableness in entering into a wedded state with such an unreasonably silly man serves to illustrate to readers even centuries later just what the situation was for a woman of Austen’s era. No, the fairy tale may be the surface that pulls us in, but the reality that lies beneath is the reminder of just how fortunate the eldest sisters–and we today–really are.